翻訳と辞書
Words near each other
・ Douglas Horton
・ Douglas Houghton Campbell
・ Douglas Houghton, Baron Houghton of Sowerby
・ Douglas House
・ Douglas House (Arkansas politician)
・ Douglas House (Harbor Springs, Michigan)
・ Douglas House (Lovells Township, Michigan)
・ Douglas House (Omaha)
・ Douglas House (Vaughn, Arkansas)
・ Douglas House, London
・ Douglas House, Petersham
・ Douglas How
・ Douglas Howard
・ Douglas Howard (diplomat)
・ Douglas Hudson
Douglas Huebler
・ Douglas Hulick
・ Douglas Humpherys
・ Douglas Hunt
・ Douglas Hurd
・ Douglas Hutchinson
・ Douglas Hyde
・ Douglas Hyde (author)
・ Douglas Håge
・ Douglas I. Cosman
・ Douglas I. Foy
・ Douglas Imrie McKay
・ Douglas Inman
・ Douglas International Airport
・ Douglas Isaac Busch


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Douglas Huebler : ウィキペディア英語版
Douglas Huebler

Douglas Huebler (October 27, 1924 – July 12, 1997) was an American conceptual artist.
==Life and career==
Douglas Huebler grew up in rural Michigan during the Depression and served in the Marines in World War II. After the war, funded by the GI Bill, Huebler earned his bachelor's and master's degrees at the University of Michigan, and later went on to study at the Académie Julian in Paris. He worked for several years as a commercial art illustrator in New York as he established himself as an artist.
Initially a painter, Huebler moved on to produce geometric Formica sculptures in the early '60s, which aligned him with the Minimalist movement. In 1969, he participated, with Joseph Kosuth, Robert Barry and Lawrence Weiner, in a landmark exhibition of conceptual art curated by Seth Siegelaub. As part of the show, Huebler issued one of his most famous statements: "The world is full of objects, more or less interesting; I do not wish to add any more." He then started producing works in numerous media often involving documentary photography, maps and text to explore social environments and the effect of passing time on objects. A representative example of Huebler's early work is Duration Piece #5, 1969, a series of ten black & white photographs with accompanying text; to document the piece, Huebler stood in Central Park and, each time he heard a bird call, he pointed his camera in the direction of the call and shot a photograph. In 1971, he began "Variable Piece #70 (In Process) Global," for which he proposed his intention "to photographically document the existence of everyone alive." In the 1980s and '90s, Huebler began incorporating painting into his conceptual art pieces, creating a persona he called "the Great Corrector," who took works by masters like Picasso, Matisse, Bruegel and Hieronymus Bosch and attempted to "make them better." For his "Buried Treasure" series, incorporating text about the unscrupulous dealer, Huebler paints fake Monets, Van Goghs, Gauguins and a De Chirico.〔Suzanne Muchnic (June 1, 1988), (Huebler Adds Words to His Varied Palette ) ''Los Angeles Times''.〕
Huebler's academic career spanned more than forty years; he taught art at Bradford College in Massachusetts, and at Harvard. Huebler served as dean of the art school at California Institute of Arts from 1976 to 1988 where he influenced a generation of artists including Mike Kelley and Christopher Williams. In 1989, he retired to Cape Cod. He died in Truro, Massachusetts in 1997.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Douglas Huebler」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.